Guardians: Photographs by Andy Freeberg, an Exhibition in Three Parts
July 25, 2012–January 6, 2013
Stanford, Calif.—“Guardians: Photographs by Andy Freeberg, an Exhibition in Three Parts” opens July 25 at the Cantor Arts Center, Stanford University, and remains on view through
January 6, 2013. The first two parts of the installation present
16 critically acclaimed portraits of Russian art museum guards at work. These photographs are installed in distinct spaces in two of the permanent collection galleries.
The third part is “Guards on Film: Andy Freeberg and Cantor Arts Center Security Staff," an installation curated by Josie Johnson, Stanford class of ’13. It features four new photographs by Freeberg of the Cantor Arts Center security staff and a short documentary film produced by Justin Warren, Stanford class of ’09, in which the guards discuss the nature of their work in the galleries.
Andy Freeberg is a San Francisco-based photojournalist whose assignments for magazines such as Fortune, Time and Sports Illustrated have taken him across the world.
The 16 “Guardian” photographs came about when Freeberg traveled to Russia in 2008 intending to document the country's evolution since his last visit in the 1980s. But once there, Freeberg focused his lens on the retirement-aged women guarding Russia’s national treasures in the art museums. Freeberg discovered that despite sitting for hours and earning little pay, the women loved their jobs; they were deeply proud of Russia’s culture and felt honored to protect and share its treasures. He was struck by how the guards unconsciously resembled and complemented the objects in their care. One woman wore a sweater trimmed with the same blue that Henri Matisse used in the painting she sat below, Still Life with Blue Tablecloth. Another sat cross-armed, her bare forearms as muscular and pale as those in the Michelangelo plaster casts around her. The photographs emphasize how the women become part of the visitor’s overall museum experience.
Hoping to remain inconspicuous, Freeberg used a small 35-millimeter digital camera (Canon Eos 5D) and available light. He sized his resulting prints as wide as five feet, nearly life-size, so that viewers might feel they were actually in a museum with the women. The layout of the Center’s exhibition furthers this museum-within-a-museum experience. The 16 works on loan from the artist are installed in two galleries according to the style of the art in the photographs, so they fit seamlessly in with the surrounding works from the Center’s collection.
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VISITOR INFORMATION: Cantor Arts Center is open Wednesday – Sunday, 11 am - 5 pm, Thursday until 8 pm. Admission is free. The Center is located on the Stanford campus, off Palm Drive at Museum Way. Parking is free after 4 pm weekdays and all day on weekends. Information: 650-723-4177, museum.stanford.edu
Publicity Photos: Contact PR Assistant Manager Margaret Whitehorn (650-724-3600, firstname.lastname@example.org) for high-resolution images to publicize the exhibition.
Artist's Talk by Andy Freeberg
Wednesday, October 3, 6 pm
Andy Freeberg, 2nd-Century Mummy Masks, Pushkin State Museum of Fine Arts, 2009. Archival pigment ink print. Lent by the artist. © Andy Freeberg
Andy Freeberg, Henri Matisse’s Still Life with Blue Tablecloth, State Hermitage Museum, 2008. Archival pigment ink print. Lent by the artist. © Andy Freeberg
Andy Freeberg, Mike Kemp with Auguste Rodin’s The Thinker, Cantor Arts Center, 2012. Archival pigment ink print . Lent by the artist. © Andy Freeberg