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Stanford University

Current Exhibitions

Exhibitions

An image of two men on a couch hugging
Exhibition
October 4, 2024–Ongoing
An image of a room and two people in it with an altar
Exhibition
September 4, 2024–January 26, 2025
An image of a man drinking from a glass
Exhibition
August 21, 2024–February 23, 2025
A black and white image of a man standing by a table
Exhibition
June 19, 2024–April 6, 2025
a contact sheet from photogaphy on the left and a black and white photography of a woman on the right
Exhibition
July 17, 2024–Ongoing
An image of artist Ruth Asawa infront of her Wall of Masks
Ongoing Installation
July 6, 2022–Ongoing

Collection Rotations

An image of two artowkrs side by side. One has three lighter colors while another has more darker hues. The forms are very geometric in nature.
Collection Rotation
October 9, 2024–March 9, 2025
Auguste François Willème (French, 1830–1905), "Portrait of Matilde de Aguilera y Gamboa, Lady of Fontagud" (detail), c. 1865. White bisque porcelain. Cantor Arts Center Collection, Robert and Pauline Sears Fund, 2021.94
Collection Rotation
January 19, 2022–Ongoing
A cityscape from the early twentieth century by Edward Hopper
Collection Rotation
September 1, 2021–Ongoing
A view of a mourning cabinet
Collection Rotation
September 18, 2019–Ongoing
photo
Collection Rotation
September 4, 2019–Ongoing
Memories
Collection Rotation
September 15, 2017–Ongoing
Auguste Rodin
Collection Rotation
September 15, 2017–Ongoing

Outdoor Sculptures

A yellow sculpture with the oversized letters Y and O
Outdoor Sculpture
December 20, 2019–Ongoing
photo
Outdoor Sculpture
January 28, 2019–Ongoing

Cantor Arts Center and Stanford's Response to Recently Enacted Federal Updates to the Native American Graves Protection and Repatriation Act (NAGPRA)

Updated Sep. 2024

Recently enacted state and federal repatriation regulations require museums to prioritize consultation with indigenous communities regarding cultural objects in their care.  Stanford's repatriation officer, Laura Jones, and her staff in Heritage Services are assisting Cantor and other entities on campus in meeting these requirements.  

One of the new rules requires obtaining consent from affiliated Native American tribes for cultural objects on exhibit, and to minimize handling of cultural objects until consultation is complete.  This rule does not apply to all Native American objects. For example, works by contemporary Native American artists commissioned for exhibition are not affected by these new rules.  Objects excavated from archaeological sites without consultation with Native American communities are the focus of the consent requirements.  Additional objects acquired during the colonial era may also be affected if they are sacred or ceremonial objects.  Initial review of Cantor’s current exhibitions identified several cases of archaeological ceramics in the North Rotunda and five cultural objects from archaeological sites in Mark Dion’s The Melancholy Museum installation as clearly subject to the consent requirement.

Stanford is already engaged in consultations with Native American communities regarding museum collections.  While these consultations are underway, the cultural objects removed from archaeological contexts currently on display will be covered until agreements can be reached regarding appropriate treatment. Signage has been placed in the galleries to inform the museum’s visitors.

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