Day Jobs

This exhibition examines the overlooked impact of day jobs on the visual arts. Success for artists is often measured by their ability to quit a day job and focus full time on their practice. Yet, these jobs can often spur creative growth by providing artists with new materials and methods, hands-on knowledge of a specific industry that becomes an area of artistic investigation, or a predictable paycheck and structure that enable unpredictable ideas. First presented at the Blanton Museum of Art at The University of Texas in Austin in 2023, the exhibition now features a larger selection of works by California-based artists such as Margaret Kilgallen, Jay Lynn Gomez, Barbara Kruger, Ahree Lee, Jim Campbell, Narsiso Martinez, and Sandy Rodriguez, and is comprised of more than 90 works by 36 established and emerging artists based in the United States.

The exhibition will be accompanied by a catalogue with commissioned essays and interviews from 24 pioneering artists such as Larry Bell, Mark Bradford, Tishan Hsu, Howardena Pindell, and Julia Scher, who offer first-hand accounts of how their day jobs—as a frame shop technician, hair stylist, word processor, museum employee, and security systems installer, respectively—altered their artistic trajectories in surprisingly profound ways.

By examining the impact of day jobs on artists, the exhibition seeks to demystify artistic production and overturn the romanticized concept of the artist sequestered in their studio, waiting for inspiration to strike. Conceived as a corrective to traditional art historical narratives, Day Jobs encourages us to more openly acknowledge the precarious and generative ways that economic and creative pursuits are intertwined.

Day Jobs is curated by Veronica Roberts, John and Jill Freidenrich Director, Cantor Arts Center, with Jorge Sibaja, curatorial assistant, Cantor. The exhibition was organized by the Blanton Museum of Art and has been expanded at the Cantor.

We gratefully acknowledge lead support for Day Jobs provided by Pamela and David Hornik. Generous support is provided by Hilary Ley Jager and Edwin Jager, and Anonymous. Additional support is provided by the Ellsworth Kelly Foundation, and Anthony Meier Jr. and Celeste Meier.

Sustained support generously provided by the Halperin Exhibitions Fund and The Lynn Krywick Gibbons Gallery Exhibitions Fund at the Cantor Arts Center.