Cantor Arts Center
328 Lomita Drive at Museum Way
Stanford, CA 94305-5060
Phone: 650-723-4177
Ian Cheng (American, born in 1984), Emissary Sunsets The Self, 2017. Live simulation and story. Courtesy of the Artist, Pilar Corrias, Gladstone Gallery, Standard (Oslo). William Alden Campbell and Martha Campbell Art Acquisition Fund, 2019.200
Emissary Sunsets The Self explores cognitive evolution and the conditions that shape it. Created with a video game engine, the work generates open-ended animations without fixed outcomes—a format the artist calls “live simulation.” Ian Cheng—who studied cognitive science and art practice—utilizes a range of artificial intelligence (AI) models to mimic humans’ complex brains and enable unpredictable encounters between a character with a narrative goal and an erratic environment.
Emissary Sunsets The Self takes place thousands of years in the future, in an environment governed by a sentient AI. The AI sends a puddle of itself into the bio-layer to experience incarnate life, occasioning the emergence of the emissary puddle’s own self-awareness. While fantastical, Cheng’s artwork demonstrates the value of simulations to making the intricate and complex systems undergirding human life comprehensible.
Emissary Sunsets The Self - version 0.9 (15fps screen capture excerpt) from Ian Cheng on Vimeo.
Ian Cheng (American, born in 1984), Clip from Emissary Sunsets The Self, 2017. Live simulation and story. Courtesy of the Artist, Pilar Corrias, Gladstone Gallery, Standard (Oslo). William Alden Campbell and Martha Campbell Art Acquisition Fund, 2019.200