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Stanford University
Ian Cheng: Emissary Sunsets The Self
Exhibition

Ian Cheng: Emissary Sunsets The Self

June 30, 2021–November 13, 2022

Still from Emissary Sunsets The Self, 2017. Live simulation and story.

Ian Cheng (American, born in 1984), Emissary Sunsets The Self, 2017. Live simulation and story. Courtesy of the Artist, Pilar Corrias, Gladstone Gallery, Standard (Oslo). William Alden Campbell and Martha Campbell Art Acquisition Fund, 2019.200

Madeleine H. Russell Gallery (105)

 

Emissary Sunsets The Self explores cognitive evolution and the conditions that shape it. Created with a video game engine, the work generates open-ended animations without fixed outcomes—a format the artist calls “live simulation.” Ian Cheng—who studied cognitive science and art practice—utilizes a range of artificial intelligence (AI) models to mimic humans’ complex brains and enable unpredictable encounters between a character with a narrative goal and an erratic environment.

Emissary Sunsets The Self takes place thousands of years in the future, in an environment governed by a sentient AI. The AI sends a puddle of itself into the bio-layer to experience incarnate life, occasioning the emergence of the emissary puddle’s own self-awareness. While fantastical, Cheng’s artwork demonstrates the value of simulations to making the intricate and complex systems undergirding human life comprehensible.

 

Emissary Sunsets The Self - version 0.9 (15fps screen capture excerpt) from Ian Cheng on Vimeo.

Ian Cheng (American, born in 1984), Clip from Emissary Sunsets The Self, 2017. Live simulation and story. Courtesy of the Artist, Pilar Corrias, Gladstone Gallery, Standard (Oslo). William Alden Campbell and Martha Campbell Art Acquisition Fund, 2019.200

 

 

This exhibition is organized by the Cantor Arts Center. We gratefully acknowledge support from the Asian American Art Initiative Program Gift Fund and the Robert Mondavi Family Fund.