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Asawa Masks

Ruth Asawa, Without End

Patty Chang, Que Sera Sera/Invocations, 2013–14, two-channel video. Courtesy the artist

The Ramifications of Oppression in the Asian American Community

two women standing in an art gallery

This Bay Area museum director kicked off a troubled institution’s renaissance. Here are her plans for 2023

A gallery view of East of The Pacific exhibition at the Cantor

The Initiative Preserving the Past and Securing the Future of Asian American Art

An embroidered piece depicting a person with a dog sitting in a kitchen

Textile portraits bring visibility to queer and trans communities

A portrait of an asian american man wearing a hat and suit

Complete Martin Wong Catalogue Goes Online

a wall covered in masks made of clay

When Asian-American Artists Are Unburdened by Identity

A black and white photograph of people smiling and posing for the camera

Asian American art in focus at Stanford

woman against colored squares backdrop

Revelry Among Rodins: Stanford’s Museums by Moonlight Fundraiser Returns

masks

No. 563: Ruth Asawa, Katherine Bradford